DMCA

Digital Millennium Copyright Act

PK In The Know Podcast: Verizon Pricing, Music Mergers, and More



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On today's podcast we discuss what the new Verizon pricing plans tell us about the wireless industry and give quick updates on the UMG-EMI merger, 1201 hearings, and the ITU.

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On today's podcast we discuss what the new Verizon pricing plans tell us about the wireless industry and give quick updates on the UMG-EMI merger, 1201 hearings, and the ITU.

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You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

On today's podcast we discuss what the new Verizon pricing plans tell us about the wireless industry and give quick updates on the UMG-EMI merger, 1201 hearings, and the ITU.

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The 1201 Hearings- Protecting Business Models or Promoting Creative Progress?

Last week, a revolving door of digital media users took turns pleading with the Copyright Office for permission to use their content. Teachers and documentarians sought the right to create high-quality video clips for use in their classrooms and documentaries; the visually impaired argued for the right to enable read-aloud functionality on eBooks and enjoy movies with narrated visual descriptions; and Public Knowledge, advocating for the public at large, sought a right to copy lawfully owned DVDs for personal use (e.g. to play a DVD movie on an iPad, or similar device).

How did we arrive at this place, where copyright users must ask permission to use lawfully acquired content in non-infringing ways? The short version of the story goes like this:



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Last week, a revolving door of digital media users took turns pleading with the Copyright Office for permission to use their content. Teachers and documentarians sought the right to create high-quality video clips for use in their classrooms and documentaries; the visually impaired argued for the right to enable read-aloud functionality on eBooks and enjoy movies with narrated visual descriptions; and Public Knowledge, advocating for the public at large, sought a right to copy lawfully owned DVDs for personal use (e.g. to play a DVD movie on an iPad, or similar device).

How did we arrive at this place, where copyright users must ask permission to use lawfully acquired content in non-infringing ways? The short version of the story goes like this:

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How did we arrive at this place, where copyright users must ask permission to use lawfully acquired content in non-infringing ways? The short version of the story goes like this:

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Last week, a revolving door of digital media users took turns pleading with the Copyright Office for permission to use their content. Teachers and documentarians sought the right to create high-quality video clips for use in their classrooms and documentaries; the visually impaired argued for the right to enable read-aloud functionality on eBooks and enjoy movies with narrated visual descriptions; and Public Knowledge, advocating for the public at large, sought a right to copy lawfully owned DVDs for personal use (e.g. to play a DVD movie on an iPad, or similar device).

How did we arrive at this place, where copyright users must ask permission to use lawfully acquired content in non-infringing ways? The short version of the story goes like this:

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TPP Deep Dive: Copyright and Digital Locks

This post is the second in a series of blog posts examining Public Knowledge’s concerns with the proposed copyright provisions of the Trans-Pacific Partnership (TPP). Yesterday we discussed copyright presumptions that favor copyright owners in litigation, and today we examine the parts of the TPP that use copyright law to prohibit users from circumventing digital locks over works.

For the time being, this series is examining the US’s copyright proposals for the TPP [pdf] from February 2011, which is the most recent text that is publicly available.

Digital Locks in US Law



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This post is the second in a series of blog posts examining Public Knowledge’s concerns with the proposed copyright provisions of the Trans-Pacific Partnership (TPP). Yesterday we discussed copyright presumptions that favor copyright owners in litigation, and today we examine the parts of the TPP that use copyright law to prohibit users from circumventing digital locks over works.

For the time being, this series is examining the US’s copyright proposals for the TPP [pdf] from February 2011, which is the most recent text that is publicly available.

Digital Locks in US Law

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This post is the second in a series of blog posts examining Public Knowledge’s concerns with the proposed copyright provisions of the Trans-Pacific Partnership (TPP). Yesterday we discussed copyright presumptions that favor copyright owners in litigation, and today we examine the parts of the TPP that use copyright law to prohibit users from circumventing digital locks over works.

For the time being, this series is examining the US’s copyright proposals for the TPP [pdf] from February 2011, which is the most recent text that is publicly available.

Digital Locks in US Law

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This post is the second in a series of blog posts examining Public Knowledge’s concerns with the proposed copyright provisions of the Trans-Pacific Partnership (TPP). Yesterday we discussed copyright presumptions that favor copyright owners in litigation, and today we examine the parts of the TPP that use copyright law to prohibit users from circumventing digital locks over works.

For the time being, this series is examining the US’s copyright proposals for the TPP [pdf] from February 2011, which is the most recent text that is publicly available.

Digital Locks in US Law

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PK In The Know Podcast: Comcast, TPP, 3D Printed Jewelry

On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.



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On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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PK In The Know Podcast: Comcast, TPP, 3D Printed Jewelry



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On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

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On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

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You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

On this week's podcast we discuss Comcast's brush with net neutrality, the TPP, a decision in Viacom v. YouTube, and the future of TV with Tomorrowvision.  We also explore the world of 3D printed jewelry with Susan Hinton of Owl Posse.

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Appeals Court Rejects Viacom Arguments Against YouTube

In their case against YouTube, Viacom and other content companies keep looking for ways to impose a duty to monitor on the video-sharing site. Despite the Digital Millennium Copyright Act's (DMCA) clear statements that services don't need to monitor, the content companies keep trying to pick away at other components of the law to work their way around it. (Public Knowledge filed a friend-of-the-court brief in this case, arguing that filters and monitoring aren't required to meet the DMCA requirements)

Today, the Second Circuit Court of Appeals in New York shot down the majority of those theories. Meanwhile, the case has been sent back to the district court level for more factfinding on exactly how much YouTube employees may have known about the presence of specific infringing files on their service.



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In their case against YouTube, Viacom and other content companies keep looking for ways to impose a duty to monitor on the video-sharing site. Despite the Digital Millennium Copyright Act's (DMCA) clear statements that services don't need to monitor, the content companies keep trying to pick away at other components of the law to work their way around it. (Public Knowledge filed a friend-of-the-court brief in this case, arguing that filters and monitoring aren't required to meet the DMCA requirements)

Today, the Second Circuit Court of Appeals in New York shot down the majority of those theories. Meanwhile, the case has been sent back to the district court level for more factfinding on exactly how much YouTube employees may have known about the presence of specific infringing files on their service.

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In their case against YouTube, Viacom and other content companies keep looking for ways to impose a duty to monitor on the video-sharing site. Despite the Digital Millennium Copyright Act's (DMCA) clear statements that services don't need to monitor, the content companies keep trying to pick away at other components of the law to work their way around it. (Public Knowledge filed a friend-of-the-court brief in this case, arguing that filters and monitoring aren't required to meet the DMCA requirements)

Today, the Second Circuit Court of Appeals in New York shot down the majority of those theories. Meanwhile, the case has been sent back to the district court level for more factfinding on exactly how much YouTube employees may have known about the presence of specific infringing files on their service.

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In their case against YouTube, Viacom and other content companies keep looking for ways to impose a duty to monitor on the video-sharing site. Despite the Digital Millennium Copyright Act's (DMCA) clear statements that services don't need to monitor, the content companies keep trying to pick away at other components of the law to work their way around it. (Public Knowledge filed a friend-of-the-court brief in this case, arguing that filters and monitoring aren't required to meet the DMCA requirements)

Today, the Second Circuit Court of Appeals in New York shot down the majority of those theories. Meanwhile, the case has been sent back to the district court level for more factfinding on exactly how much YouTube employees may have known about the presence of specific infringing files on their service.

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PK In The Know Podcast: Internet Blueprint, VZ/Spectrum Co., Universal/EMI, and Ripping DVDs

On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.



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On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Listen to Podcast

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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PK In The Know Podcast: Internet Blueprint, VZ/Spectrum Co., Universal/EMI, and Ripping DVDs



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On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

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On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

[#title] => [#description] => [#printed] => 1 ) [#title] => [#description] => [#children] =>

You are missing some Flash content that should appear here! Perhaps your browser cannot display it, or maybe it did not initialize correctly.

On today's podcast we discuss crafting a positive post SOPA/PIPA agenda on InterentBlueprint.org, updates for Verizon/SpectrumCo., Universal buying EMI, and the new "disc to digital" program from the movie studios.

Subscribe to the podcast on iTunes here.
Subscribe to the podcast via the .xml here.
Click here to download the file for this week's podcast directly.

[#printed] => 1 ) [links] => Array ( ) )

I don’t always rip my DVDs, but when I do I prefer to do it myself

It looks like the ridiculous “drive-to-the-store-and-pay-to-have-us-rip-your-dvds” service that was hinted at last week was not a joke. Today Wal-Mart and the major movie studios are rolling it out for real.

As we have already detailed, this program is insulting to the public and embarrassing to movie studios, but let’s go a bit deeper. We should be clear about one thing – there is nothing inherently wrong with movie studios and Wal-Mart offering people a service that lets them upload their movies to a cloud service. Furthermore, there is nothing wrong with charging them for the privilege.



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It looks like the ridiculous “drive-to-the-store-and-pay-to-have-us-rip-your-dvds” service that was hinted at last week was not a joke. Today Wal-Mart and the major movie studios are rolling it out for real.

As we have already detailed, this program is insulting to the public and embarrassing to movie studios, but let’s go a bit deeper. We should be clear about one thing – there is nothing inherently wrong with movie studios and Wal-Mart offering people a service that lets them upload their movies to a cloud service. Furthermore, there is nothing wrong with charging them for the privilege.

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It looks like the ridiculous “drive-to-the-store-and-pay-to-have-us-rip-your-dvds” service that was hinted at last week was not a joke. Today Wal-Mart and the major movie studios are rolling it out for real.

As we have already detailed, this program is insulting to the public and embarrassing to movie studios, but let’s go a bit deeper. We should be clear about one thing – there is nothing inherently wrong with movie studios and Wal-Mart offering people a service that lets them upload their movies to a cloud service. Furthermore, there is nothing wrong with charging them for the privilege.

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It looks like the ridiculous “drive-to-the-store-and-pay-to-have-us-rip-your-dvds” service that was hinted at last week was not a joke. Today Wal-Mart and the major movie studios are rolling it out for real.

As we have already detailed, this program is insulting to the public and embarrassing to movie studios, but let’s go a bit deeper. We should be clear about one thing – there is nothing inherently wrong with movie studios and Wal-Mart offering people a service that lets them upload their movies to a cloud service. Furthermore, there is nothing wrong with charging them for the privilege.

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Warner Bros. Embarrasses Self, Everyone, With New “Disc-to-Digital” Program

In an announcement that was either an inspired piece of Yes Men-esque performance art or a stunning example of corporate myopia, last week Warner Home Entertainment Group President Kevin Tsujihara discussed a new DVD digitization service called “disc-to-digital.” The program, which would have merely been ill-advised had it been announced ten years ago, today stands as a testament to the ability of movie studios to blind themselves to reality.



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In an announcement that was either an inspired piece of Yes Men-esque performance art or a stunning example of corporate myopia, last week Warner Home Entertainment Group President Kevin Tsujihara discussed a new DVD digitization service called “disc-to-digital.” The program, which would have merely been ill-advised had it been announced ten years ago, today stands as a testament to the ability of movie studios to blind themselves to reality.
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In an announcement that was either an inspired piece of Yes Men-esque performance art or a stunning example of corporate myopia, last week Warner Home Entertainment Group President Kevin Tsujihara discussed a new DVD digitization service called “disc-to-digital.” The program, which would have merely been ill-advised had it been announced ten years ago, today stands as a testament to the ability of movie studios to blind themselves to reality.
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In an announcement that was either an inspired piece of Yes Men-esque performance art or a stunning example of corporate myopia, last week Warner Home Entertainment Group President Kevin Tsujihara discussed a new DVD digitization service called “disc-to-digital.” The program, which would have merely been ill-advised had it been announced ten years ago, today stands as a testament to the ability of movie studios to blind themselves to reality.
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